14. Iron replaced stone and timber in the building of bridges because iron was considered
(A) more beautiful
(B) new and modern
(C) much stronger
(D) easier to transport

10. Which of the following is true of both the phlogiston theory of burning and Lavoisier's theory of burning? (A) Both theories propose that total weight always increases during burning. (B) Both theories are considered to be reasonable and straightforward. (C) Both theories have difficulty explaining why residue remains after burning. (D)Both theories recognize that air is important to combustion.

11.What does the passage mainly discuss? (A) Advances in iron processing in the eighteenth and nineteenth centuries (B) The effects of t he Industrial Revolution on traditional architectural styles (C) Advantages of stone and timber over steel as a building material (D) The evolution of the use of iron in architecture during the 1800's

12.The word "revolutionized" in line 1 is closest in meaning to (A) quickly started (B) gradually opened (C) dramatically changed (D) carefully examined

13.According to the passage, iron was NOT used for beams, columns, and girders prior to the early eighteenth century because (A) all available iron was needed for other purposes (B) limited mining capability made iron too expensive (C) iron was considered too valuable for use in public buildings (D) the use of charcoal for refining are produced poor quality iron

15. The word "it" in line 11 refers to (A) industrial architecture (B) internal iron skeleton (C) stone (D) strength

16. The word "appeal" in line 12 is closest in meaning to (A) adjustment (B) assignment (C) attraction (D) attempt

17. The word "spawned" in line 17 is closest in meaning to (A)Created (B)maintained (C)rejected (D)exposed

18. The word "surpassed" in line 20 is closest in meaning to (A)imitated (B) exceeded (C)approached (D)included

19. According to paragraph 3, the architectural significance of the Halle des Machines was its (A)wide span (B)great height (C)unequaled beauty (D)prefabricated units of glass

20. How did the artistic elite mentioned in the passage react to the buildings at the Paris Exhibition? (A) They tried to copy them. (B) They ridiculed them. (C) They praised them. (D) They refused to pay to see them.