32 According to the passage, which of the following statements is incorrect?
(A) Forró is a kind of musical and dance style that was popular during the 1960s.
(B)Luiz Gonzaga was good at performing forró.
(C)Caetano Veloso was one of the popular musicians who re-interpreted Gonzaga’s works.
(D) In the 1970s, young people started to like music again.

判斷哪一個關於 forró 的陳述是錯誤的

我們逐一檢視各個選項並與文章內容比對：

(A) Forró is a kind of musical and dance style that was popular during the 1960s. 根據 Passage 2，文章提到：「Forró lost momentum during the bossa nova period of the 1960s」。這表示在 1960 年代的 Bossa Nova 時期，Forró 失去了動能，也就是說它在那段時期並不受歡迎。因此，這個陳述與文章內容不符。

(B) Luiz Gonzaga was good at performing forró. Passage 2 描述 Luiz Gonzaga 是「The leading pioneer of the style, Luiz Gonzaga」。作為這種風格的「領導先驅」，強烈暗示他在表演 forró 方面非常出色並具有重要的影響力。這個陳述與文章內容相符。(C) Caetano Veloso was one of the popular musicians who re-interpreted Gonzaga’s works. Passage 2 提到：「Popular artists such as Caetano Veloso and Gilberto Gil recorded modern versions of some of Gonzaga’s most popular tunes」。將 Gonzaga 的流行曲調錄製成「現代版本」，這正是對其作品進行「重新詮釋」的一種方式。Caetano Veloso 被明確列為進行此工作的流行藝術家之一。這個陳述與文章內容相符。

(D) In the 1970s, young people started to like music again. Passage 2 在描述 1970 年代的巴西音樂場景時提到：「...its music scene embarked on its most prolific era of the 20th century」以及「...brought it into nightclubs to be enjoyed by a new, younger audience」。這表示 1970 年代是巴西音樂非常多產的時期，並且有「新的、更年輕的聽眾」開始在夜店享受音樂（至少是加入現代元素的 Samba）。這暗示了年輕人對音樂的興趣有所增加或復甦。這個陳述與文章內容相符。

綜合以上分析，只有陳述 (A) 與 Passage 2 中關於 forró 在 1960 年代「失去了動能」的描述直接矛盾。

因此，根據來源 Passage 2，關於 forró 的陳述，選項 (A) "Forró is a kind of musical and dance style that was popular during the 1960s." 是錯誤的。