3. (肖維岩洞)位於法國東南部阿爾代什省，因洞壁上繪有上千幅史前壁畫而聞名。

三、申論題1. Michael Rush 在他 2005 年的著作《新媒體藝術》(New Media in Art)一書卷首開宗明義地表示： One of the characteristic perceptions of twentieth-century art was its persistent tendency to question the long tradition of painting as the privileged medium of representation. Early in the century Braque’s and Picasso’s determination to incorporate everyday material in their paintings (…) was expressive of their struggle to extend the content of the canvas beyond paint. This “struggle with the canvas” pointed the way for scores of twentieth-century artists, from the Russians Malevitch and Tatlin, to Pollock at mi-century, to a painter such as Richard Prince whose abstractions take shape in a computer before they are painted onto the canvas. Abstraction, Surrealism, and Conceptualism, to name but a few twentieth-century forms, all participated in a profound questioning of traditional painting. 請問您是否同意作者的觀點? 請發表你對這段文字的看法。

3. (肖維岩洞)位於法國東南部阿爾代什省，因洞壁上繪有上千幅史前壁畫而聞名。

相關申論題

相關試卷

3. (肖維岩洞)位於法國東南部阿爾代什省，因洞壁上繪有上千幅史前壁畫而聞 名。

相關申論題

相關試卷

3. (肖維岩洞)位於法國東南部阿爾代什省，因洞壁上繪有上千幅史前壁畫而聞名。